M O B Y

A musical comedy in two acts

Original book, lyrics, and score
by
Nina Galen

Note: Click on the song titles throughout the scenes to listen to them as MP3 files!

 

ACT I

Scene 1 -- The Thames Embankment near Big Ben.  We see the bow of a sailing ship, HMS Baleen, standing in a dry dock.  On the embankment is a low platform with a podium bearing the Royal Crest, a bookseller with a pushcart with FOYLES written on it, souvenir booths, and vendors of every sort. A huge portrait of the queen -- a beautiful young woman dressed in white -- dominates the scene.

The year is 2020, early afternoon on a pleasant summer day. As Big Ben chimes the 3/4 hour, a group of TOURISTS with GUIDES appears.  The tourists are dressed in very modern styles, whereas the British tour guides wear seedy, old fashioned garments.  One guide announces that shortly Queen Virginia will arrive to christen the ship.

                 A CHRISTENING

COMPANY

A CHRIST'NING

A CHRIST'NING

HAIL VIRGINIA, QUEEN VIRGINIA

A CHRIST'NING, A CHRISTENING

THERE'S GOING TO BE A CHRISTENING

A CHRIST'NING, A CHRIST'NING

THE CHAMPAGNE WILL BE GLISTENING

ON HER ROYAL, ON HER ROYAL

ON HER ROYAL MAJESTY'S SHIP BALEEN

 

HAIL VIRGINIA, QUEEN VIRGINIA

MONARCH PURE AND GOOD

WE HAVE COME FROM FAR TO SEE

YOUR ROYAL BEAUTY, WOMANHOOD, AH

QUEEN VIRGINIA, LAUNCH THIS VESSEL

SEND HER ON HER WAY

SHE WILL RIDE THE OCEAN WAVES

AND BRING FAIR ENGLAND GLORY TODAY

A CHRIST'NING

A CHRISTENING

HAIL VIRGINIA, QUEEN VIRGINIA


MALE TOURIST

A Bar Mitzvah it ain't.

FEMALE TOURIST

Isn't England quaint?  You'd really think yourself in

the nineteenth century, instead of the year 2020.

Look at this cashmere sweater.  Oh,ninety-five pounds.

MALE TOURIST

That's a buck fifty.

FEMALE TOURIST

I'll take it!

                                                                                         MALE TOURIST

Don't be dumb.  They're expecting another devaluation

of the pound any minute.

TOURISTS

STUFF THEY SELL IS SO CHEAP HERE

TIME HAS FALLEN ASLEEP HERE

WOMEN STILL WEAR FULL LENGTH MAXIS

OIL AND GAS CAN'T BE HAD HERE

WALKING FAST IS THE FAD HERE

RICKSHAWS HAVE REPLACED THE TAXIS.

COMPANY

VIRGINIA'S CHRISTENING THIS VESSEL PROUD

SHE'LL BRING FAIR ENGLAND GLORY

SING IT ALOUD, SING IT ALOUD.

A CHRIST'NING, A CHRISTENING

THERE'S GOING TO BE A CHRISTENING

AND CHAMPAGNE WILL BE GLISTENING

ON HER ROYAL MAJESTY'S SHIP

STANDING PROUD IN THE SLIP

 

                                                DRUNKEN PASSENGER

(BLIMEY, I'D LOVE JUST A NIP)

 

                                                COMPANY

ON HER ROYAL, ON HER ROYAL,

ON HER ROYAL MAJESTY'S SHIP BALEEN.

 

A British sea captain, MARLOW, walking by answers the tourists’ questions about the meaning of  “baleen”.  He’s the captain of the Sally Forth, a ship moored nearby.  They ask him whether as foreigners they should bow or curtsey to the queen.  He tells them that they may do as they like, but that he will, of course, bow to Her Majesty.

A group of unemployed British WORKERS arrive.  They carry protest signs reading “JOBS NOW!” etc.  They tell the tourists that they’ve come to protest massive unemployment.

TOURIST

You're protesting to the queen?  Don't you have ministers who sets economic policy?

WORKER

Of course we do.  But it's no good protestin' to

ministers.  We don't love ministers, and they don't

love us.  We love Virginia.

 

 

A QUEEN SETS AN EXAMPLE (Rehearsal Version)

WORKER 1

MINISTERS SET POLICY

WORKER 2

SUNS SET ON THE SEAS

PAINTER

PAYNT SETS ON A WALL

WORKERS ALL

BUT A QUEEN SETS MORE THAN THESE....

TOURIST

What's that?

WORKER

                A QUEEN SETS AN EXAMPLE

SHE SHOWS US 'OW IT’S DONE

TO KEEP A STIFFER UPPER LIP

IN STEAMIN' TROPIC SUN.

WORKER

A QUEEN SETS 'ER EXAMPLE

ON SAND OR MUD OR GRASS

AND EVERY BRITON FOLLOWS IT

IN EVERY SOCIAL CLASS.

 

COMPANY

THEY FOLLOW IT, THEY FOLLOW IT

IN EVERY SOCIAL CLASS

WORKER 3

A QUEEN SETS AN EXAMPLE

SHE TEACHES US NOBLESSE

WITH SANDWICHES THAT CRUSTLESS ARE

AND FILLED WITH WATERCRESS

WORKER 4

  BUT WHEN THE QUEEN'S A VIRGIN
              TH'EXAMPLE THAT WE'RE SHOWN

(sigh)

MAKES EVERY LOYAL ENGLISHMAN

NO BETTER THAN A DRONE.

COMPANY

THESE [WE] VERY LOYAL ENGLISHMEN

NO BETTER THAN A DRONE.

WORKER

In other words, since Virginia took the throne ten

years ago, we ayn't, as you Yanks say, "gettin” any."

TOURIST

But what have your sex lives got to do with the sad

state of the British economy?

WORKER

Let us explayn.

WORKER 1

WE SUBJECTS FEEL A DUTY

TO KEEP OUR LUST RESTRAYNED

BUT IMMACULATE CONCEPTION

AYN'T SO VERY OFT ATTAYNED

WORKER 2

THE BABY BOOM WENT BUSTED

THE BUDGET WENT TO 'ELL

THE QUEEN SET 'ER EXAMPLE

BUT, WE FOLLOWED IT TOO WELL.

TOURISTS

THEY FOLLOWED HER EXAMPLE

BUT THEY FOLLOWED IT TOO WELL.

 

TOURIST

So, the queen really does have an influence on the

behavior of the British populace.

FEMALE WORKER

An influence?  Blimey!  When Virginia ascended the

throne, the sun set on the British sex life.

WORKERS ALL

A QUEEN SETS AN EXAMPLE

TO DO OR NOT TO DO

WE GET THE MESSAGE IN THE PRESS

AND ON THE TELLY TOO.

IF ONLY SHE WOULD MARRY

'ER TROTH TO SOMEONE PLIGHT

WE'D FOLLOW THEIR EXAMPLE ALL

THEIR BLOOMIN’ WEDDIN' NIGHT.

A QUEEN SETS AN EXAMPLE

SHE SHOWS US ‘OW IT'S DONE

IN AFRICA, ANTARCTICA

IN RAYN AND SLEET AND SUN.

WE SUBJECTS FEEL A DUTY

TO DO AS GOOD AS SHE, BUT

A QUEEN WHAT 'AS SIX CHILDREN

IS WHAT WE WOULD LIKE TO SEE

COMPANY

A QUEEN WHAT 'AS SIX CHILDREN

IS WHAT WE [THEY] WOULD LIKE TO SEE

A QUEEN WHAT 'AS SIX CHILDREN

IS WHAT WE [THEY] WOULD LIKE TO SEE.

 

The workers are afraid that if the queen knew her virginity was the cause of England’s economic depression she wouldn’t marry, she’d abdicate – but she’s the last of the royal line so they wouldn’t want that.  They’re having a silent protest to get her thinking: when she arrives they won’t bow or curtsey.  The tourists decide they won’t bow or curtsey either.

As they talk, Marlow stands listening.  Suddenly Her Majesty’s arrival is announced.  Virginia enters, dressed in a magnificent white gown.  Instantly everyone present sweeps into a deep bow or curtsey – except Marlow. Against all expectations he remains motionless, standing erect before the queen.  They gaze at each other over the backs of the bent people.  The lights fade out on the crowd, remaining bright on Marlow and the queen. In this moment out of time, they fall in love.

Virginia questions Marlow and is shocked to learn he’s about to sail off to Burma and won’t return for a year or two.

A SAILOR enters with a checklist for Marlow.  As Marlow turns his attention to it, the queen sings of her love.

                            I LOVE A MAN WHO CANNOT BEND TO ME

QUEEN
 

I LOVE A MAN WHO CANNOT BEND TO ME

TALL AS A MAST, STRONG AS A SHIP IS HE

ALL OF MY LIFE IN THESE WHITE SAILS I'LL GO

HOPING TO FIND THE CAPTAIN OF MY SOUL.

  THERE ARE TIMES WHEN I WOULD LIKE TO SAIL AWAY

BUT I MUST STAY, I MUST STAY

AND LISTEN TO THE WIND THAT SOFTLY CALLS TO ME

AND TO IT SAY, AND TO IT SAY:

I LOVE A MAN WHO CANNOT BEND TO ME

WARM AS THE SUN, PROUD AS MY DESTINY

WIND, WAVE AND SAIL WILL BE MY MARRIAGE BED

OR I WILL NEVER, OR I WILL NEVER WED.

 

Taking her place behind the podium the queen tells everyone to rise.  She asks her subjects if they have any complaints to make to her, but they assure her they have none.  The jobless workers say nothing of their protest.  Everyone shouts “God Save the Queen.”

The queen christens the ship while Marlow stands in a daze.  Suddenly his name is called by a voice offstage, and he calls back that he’ll be right there.
     

                                                         THE TIDE IS EBBING FAST

                                                                              MARLOW

THE TIDE IS EBBING FAST

THE THAMES IS SILVER IN THE AFTERNOON

AND WITH THE SETTING SUN

WE'LL CHART OUR COMPASS COURSE FOR FAR RANGOON.

THE OCEAN IS A WORLD

WHERE CARES ARE BLOWN AWAY IN SUMMER GALES

AND FOR YOUR COMPANY

JUST SEAGULLS AND SOMETIMES WHALES

A HAPPY LIFE IT IS

AWAY FROM LOVERS AND ENCIRCLING ARMS

THEY'LL NEVER FIND YOU THERE

YOU'RE SAFE FROM THEIR HOLLOW CHARMS.

(looking lovingly at the QUEEN)

AND SHOULD THEY EVER ASK

WHY SAILORS LOVE THE SEA AND SHUN THE LAND

I'LL ANSWER THEM MY DEAR

IN WORDS THAT SURELY MOST WOULD UNDERSTAND:

THE HEART WILL LEAD YOU ONLY

TO WHIRLPOOL, SHOAL AND REEF

AND LOVE WILL LEAVE YOU STRANDED

WITH YOUR SPECIAL GRIEF

FOR EVERY MAN A GRIEF HAS

THAT NO ONE KNOWS BUT HE

AND IF HE IS A BRAVE MAN

NO ONE WILL EVER SEE.

 

THE WIND IS BLOWING FAIR

THE SEA REACH WAITING IN THE EVENING LIGHT

AND SHOULD THE GODS ALLOW

WE'LL RIDE INTO THE OPEN SEA TONIGHT

WE'LL RIDE INTO THE OPEN SEA TONIGHT.

With one sad look after the departed queen, MARLOW seems to straighten with determination, turns and walks off in the direction of his ship.

              INTERLUDE

In front of the curtain appear two SAILORS and the ship's COOK from the Sally Forth.  They sing and dance, imbibing liberally from a bottle of rum.

                                       SAILORS

A SAILING SHIP'S A WOMAN

A MOTHER AND A WIFE

SHE'LL SUCCOR AND SUSTAIN YOU

AND RUN YOUR BLOODY LIFE

   SHE'S SWEETER THAN A MISTRESS

MORE FICKLE THAN A WHORE

AND IF YOUR STRENGTH STARTS FLAGGIN'

SHE'LL LEAVE YOU ON THE SHORE

I'VE NEVER LOVED A WOMAN

SINCE SHE WHO GAVE ME LIFE

BUT FOR ME A DOZEN SAILING SHIPS

WERE MOTHER, WHORE AND WIFE.

 

 

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